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My Year Abroad
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2021
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1. I won't say where I am in this greatish country of ours, as that could be dicey for Val and her XL little boy, Victor Jr., but it's a place like most others, nothing too awful or uncomfortable, with no enduring vistas or distinctive traditions to admire, no funny accents or habits of the locals to wonder at or find repellent. Call it whatever you like, but I'll refer to it as Stagno, for while it's definitely landlocked here, several bodies of murky water dot the area. There's a way that the days here curdle like the gunge that collects on the surface of a simmering broth, gunge you must constantly gunge away. Still, Stagno serves its purpose. It's so ordinary that no one too special would ever choose to live here, though well populated enough that Val and Victor Jr. and I don't stand out. And we ought to stand out. For it would be natural to ask what a college-age kid was doing shacked up with a thirtysomething mom and her eight-year-old son, and why neither of us worked a job, or why the boy didn't go off to school. Do we ever leave the house? For a brief period, we did, but not much anymore. We stream movies and shows. Val is ordering everything online again, including groceries, the only item she regularly ventures out for being a grease-soaked foot-long hoagie named the Widowmaker that is the carrot for Victor Jr. when he reaches his daily tolerance for our homeschooling. There is no stick. Val handles social studies and arts and I cover math and science, but all in all we get a C+ for conception, execution, and effort, which Victor Jr. is well aware of and is undoubtedly banking on using against his mother someday. He's an exceedingly smart, cute kid, if notably hirsute, something genetically cross-wired for sure because a kid his age shouldn't have arm and leg and back hair and definitely not the downy mustache, the nap of which the boy caresses whenever he's noodling his human child's plight. In the future Victor Jr. may strategically deploy my name, but we still can't predict the full extent of my presence in his life. What we know is this: Val and I have a good thing going. We try to see our roles as limited in scope and intensity. We aren't aspiring to all-time greatness, whether in homeschooling or partnering. We aren't each other's stand-ins for the world-as-it-should-be. My stated obligations to Val are to treat Victor Jr. better than the sometimes unruly pupster that he is, and to be, as she says, her reliably uberant fuck buddy (ex- and prot-), and finally to pick up around this cramped exurban house so it doesn't get too skanky. In return, I have her excellent company and a place to stash myself for however long we mutually wish. I require nothing of her at all, except that she not ask after my family, or what I was doing before I met her several months ago, or why my only possessions were the very clothes I was wearing, a very small Japanese-made folding knife, and a dark brushed-metal ATM card that until recently magically summoned cash every time I used it. I know something about Val because she basically told me her recent life story right after we first met in a food court of the Hong Kong International Airport. She was ahead of me in line with Victor Jr., who was as usual gaming on his handheld, and found that her credit cards weren't working and had no cash. When the boy heard this he immediately started wailing about the depth of his hunger, which I have come to know as bottomless. My impulse was to jam a duty-free baton of Toblerone between his oddly super-tiny teeth. But Val, even with her laughing, narrow eyes, the kind certain Asian girls can have, with that wonderful hint of an upward lilt and dark sparkle when they gaze at you that says in a most generous way, Really?, looked like she wanted to don a crown of thorns and climb atop a Viking pyre, so without a beat I paid for their food and was heading off with my own steamer basket of xiaolongbao when she asked if she could meet my parents to say what a gallant young man I was. She actually used the word gallant. When I told her I was solo she hooked my elbow and plunked us down at a table. While her son destroyed his mound of hot and dry Wuhan noodles, Val began telling me she was kind of solo, too, not counting Victor Jr., and then casually mentioned how her husband Victor Sr. was disappeared and probably dead. Maybe because I was freshly adrift myself, smashed to raw bits by circumstances too peculiar to recount, I matched her nonchalance and asked if he was in a kinder place. Something fell away from her wide, sweet face and she proceeded to tell me how some months earlier she had detailed for federal agents every last facet of her husband's dealings with a gang of New Jersey-based Tashkentians that involved Mongolian mineral rights, faux sturgeon eggs, and very real shoulder-mounted rocket launchers, which were supposedly part of an ISIS-offshoot-offshoot's plan to enrich themselves and arm potential client cells in Western Europe. All this was substantial enough to predicate Victor Sr. 's sudden absence from this life and worth a witness protection setup for Val when they got back to the States, a good deal considering she was the legal co-owner of her husband's trading business and faced money laundering and tax evasion charges plus the prospect of having to give up her dear little Victor to foster care. She said she was certain she could trust me with her story, and that I had an "open and welcoming face," which I must admit that I do. People trust me when they ought not to trust me, which these days is more often than they imagine. She talked about her and Victor Jr. 's visit with a relative in Kowloon, and I gave the much-expurgated tourist version of my own visits to Macau and Shenzhen, and how we were both heading back to the drab life of the US Eastern Seaboard. I told her I was from New Jersey myself, a few counties south of where she and her husband used to live. She asked for my email-I didn't have a phone anymore-and said she would connect with me in a couple weeks, when things got more settled. She didn't ask what I was doing out in this part of the world, which is just like Val. Since then she's asked, received my basic answer, and not mentioned it again. This is one of the many reasons I have quickly grown to cherish her. Val encounters life and persons as they come to her, this total acceptance of the fact that you're here, that you belong to the space you're taking up, that it's all and only yours. A rare thing, IMHO. If you think about it, most persons, including many of those who say they love you, can't help but question your particular coordinates in whatever you're doing or thinking or hoping for, then want to realign you to function more smoothly in their eyes and thereby calm their fretful souls. Val's soul seems to me a crock of honey set on a warming plate, its flows exchanging imperceptibly from top to bottom so that there's hardly any gradient within, one example being that even when Victor Jr. is at his petulant, grating worst Val will bat her eyelashes twice, very slowly, while expelling the lightest of sighs, and then try to reason with the beast. Normally if her attempts with Victor Jr. fail she flags me, and I automatically fix us a snack. A couple Shin Blacks for us ravenous boys, grilled salami-and-cheeses. I watch him eat in his dainty Victor Jr. way, his thumbs and index fingers pincering the food, the other digits splayed out, and then wink if he's especially pleased. His micro-teeth furiously snip and grind and pulverize. Even if he was my own issue I couldn't deny that he might very well end up a charming and effective sociopath, one immensely successful, snarfing my offerings with warbles in his throat while picturing his foes and beloved alike in hot fat, deep-frying like chicken wings. But at some point we're all extra hungry, aren't we, if not necessarily for grub? And if not it's probably because we've too much of a fill. Take me. I'm on the other side of feeling I was about to burst, having skipped out on this last semester to hit as many tables and stations and taps of life's grand buffet as I could, which I had no idea could be so available, so glorious and miserable, so heroic and lamentable at once. Sometimes Val senses me going funny and intuitively gives me space to sit by myself on our splintery back deck with a blunt, or to veg out when we're eating whatever we've ordered in. Sometimes Victor Jr. will bark at me, Yo, Tilly! Wake up! Val would likely have no trouble believing the things I've done and seen in this past year and maybe only wonder how I ever returned after being in so deep. I would say to Val that I don't know. I don't know how it was that I came back, because I didn't want to come back, ever, until I did. Though now that I am back, I'm grateful to be with her and nobody else. Would I die for her? That's a weird question to bring up but I know I would. It doesn't mean I love her or value her most. I do love her and that's that but sometimes I think I love the world more. I'd die for the world, if this makes any sense, just because Val is one of the many remarkable phenomena in it. And this means I'd die for Victor Jr., too. Am I totally messed up? If you're willing to die for too many things, does it mean you care way too much or too little? Does it mean you'll break down very soon? Maybe. I'm cleaning up the dinner dishes while Val gives Victor Jr. his bath (which he still insists on her doing and probably will until he's in college) and once we both have a go wrestling the little porker into his pajamas, Val and I will climb into the frilly canopied bed that came with this rented place and fire up the flat screen and watch until our pupils start vibrating, when we'll fall asleep or else get busy. We leave the screen on so I get to see Val in my favorite way, her nakedness strobed dusky blue, the cold flame of her body flashing on and off above me. She's always ready, if you know what I mean, which she tells me is not always the case for women at her older young age. Sure, she's got a lot of years on me and probably before this last year I might have gagged on noticing any dustings of gray in the hair of a woman I was getting with, but then I would have caused Val to swallow back the bile, too, for how painfully unfledged I was. My twee neat goolies. If they're no fatter now at least they've got an educated hang, like the bags under old soldiers' eyes, each drape an unsung but unforgettable campaign. Val got this about me, right there in the airport food court, she somehow understood I'd been away on a harrowing journey and that I should receive some sheltering for a while. Sometimes the plush tide of her hair on my belly, my chest, my face feels so good tears come to my eyes and she'll rub her eyes with the wetness. Our lashes interlace. Our noses rumba and slide. And we taste the salt from ourselves, which is the tastiest salt there is. Recently, I did a good thing for Val. IÕm still thinking about it. I havenÕt told her about it yet and hope I never have to, unless sheÕs really got to know. I was actually out shopping for some mini-barbells for Victor Jr. and when I was driving back into ValÕs neighborhood I noticed a shiny black SUV cruising very slowly down at the far end of a street parallel to ours. I pulled over and pretended to make a call. The SUV was creeping forward like a limo might, but something about the way it was moving was sketchy, it wasnÕt really pausing long enough to be checking house numbers, more like pretending to check but being lazy about it, as if the numbers didnÕt matter. An older lady was walking her dog and the SUV stopped beside her and she warily went over to it, her Pekingese yapping. The person in the SUV must have said something funny or charming because the lady smiled and tucked her dyed reddish hair behind her ear. Then she craned in slightly, clearly examining something the driver was showing her; then she shook her head. I made a quick U-turn and from the opposite direction sped to our place. I slipped the car inside the garage and without pausing grabbed a baseball cap from the rack and doffed it bill-back and borrowed the neighbor kidÕs BMX lying in the grass and pedaled out as fast as I could so I wouldnÕt be seen leaving our house. When I saw the black SUV turn onto our street I hooked in earbuds and ran over evening papers on the driveways, tightroped the curb, tried to bunny hop an ornamental yard stone, and fell on my ass but popped right up again like any kid would. The SUV-I could make out the driver now, white guy, dark sunglasses, short cropped dark hair-accelerated ever so slightly and drifted over to the wrong side of the street to where I was doing a wheelie on the sidewalk. The smoked window rolled down. The driver was muscly in the neck and shoulders and arms but must have been a shrimp otherwise because his seat was pitched high and forward, very close to the steering wheel, just the way my tiny grandma used to have hers while she drove, her knuckles practically grazing her chin. This guy was maybe late thirties at most but had a receding hairline and was rocking an overmanicured five-o'clock shadow plus oversized mirror-shade aviators and stippled black leather driving gloves and I almost asked him how long he'd been driving Formula 1, but instead recast myself as goat-faced and sleepy-eyed, as dim as the fescue I imagined myself chewing, and just stared at the dude like he was an endless plains vista, a portrait of beige. Excerpted from My Year Abroad: A Novel by Chang-rae Lee All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
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Trade Reviews
Library Journal Review
Long on heart but short on talent and ambition, a young American named Tiller has his life turned around when he meets successful Chinese American businessman Pong Lou, who takes him on an eye-opening yearlong trip to Asia. From Pulitzer Prize finalist Lee.
Publishers Weekly Review
Lee's action-packed picaresque (after On Such a Full Sea) chronicles how an ordinary New Jersey college student ended up consorting with international criminals. As the novel opens, Tiller Bardmon is living with 30-something Val and her eight-year-old son, whom he met in the Hong Kong airport after a series of adventures in Macau and Shenzhen. Val and son are both in witness protection after Val cooperated with the U.S. government to bring down her gangster husband. The story of Tiller and Val runs parallel to Tiller's recollections of the preceding year, when a day of caddying for a colorful foursome earns him an invitation from entrepreneur Pong Lou to join him on a business jaunt to Asia. The trip is not all work, though, as Tiller discovers he can surf, sing, assume difficult yoga positions, and make mad passionate love--but the great adventure turns into a nightmare when Pong abandons Tiller outside Shenzhen. In energetic prose, Lee nests stories within stories, such as the moving tales of a family torn apart by Mao's Cultural Revolution and an immigrant family that reinvents itself for survival in America. The frenetic roller-coaster ride is impressively structured as the naive and sometimes reckless Tiller learns about trust and betrayal from his dealings with Pong, and gains a more mature understanding of his identity, culture, and values as his bond with Val develops. This literary whirlwind has Lee running on all cylinders. Agent: Amanda Urban, ICM Partners. (Feb.)
Booklist Review
Tiller jettisons a typical college semester abroad for what morphs into a nightmare year in several circles of hell when he impulsively casts his lot with magnetic and seemingly magnanimous Pong, a Big Pharma chemist and superfoods entrepreneur. Describing himself as 12-1/2 percent Asian, Tiller comes under Chinese American Pong's spell while golf caddying, and is soon accompanying him as an assistant to China. An innocent abroad and a preternaturally observant and energetically and creatively expressive narrator, Tiller finds himself drawing on heretofore hidden talents to survive bizarre, increasingly menacing situations. These are relayed in extended flashbacks, while, in the present, Lee's cleverly named protagonist navigates a precarious life in a witness-protection program with his depressed older lover and her eight-year-old son, a prodigy chef. Culinary passion, yoga, karaoke, alchemy, immortality, sexual enthrallment, oppression, madness, crime, and diabolical cruelty all stoke Tiller's increasingly surreal and gruesome adventures, which play in dissonant counterpoint to his sweetly harmonious philosophical reflections. Profoundly imaginative and thrillingly virtuosic, Lee (On Such a Full Sea, 2014), has created an audaciously satiric, harrowing, witty, and tender variation on the archetypal hero's journey and a fathoms-deep exploration of self, family, culture, and power. As Tiller steers through maelstroms, with forgiveness, kindness, and love as his polestars, he also makes sure, as does his ill-fated mentor Pong, to savor "a quantum of sweetness."HIGH-DEMAND BACKSTORY: Lee is supreme, and this high-velocity, shocking, and wise novel, avidly promoted, is emitting an irresistible magnetic force.
Kirkus Review
A young man becomes embroiled in a health-drink scheme with a man who has more baggage than he lets on. National Book Critics Circle fiction finalist Lee is expert at writing about cross-cultural identity crises, be it through realist assimilation tales (Aloft, 2004), widescreen historical novels (The Surrendered, 2010), or dystopian fables (On Such a Full Sea, 2014). This coming-of-age story is a peculiar blend of the three, with a surrealist touch to boot. The narrator, Tiller, tells a braided tale, the first about his life with Val and her 8-year-old son, Victor Jr., who are in witness protection due to her ex's dealings with Uzbek gangsters; the second about his time just before meeting Val when he became an assistant to Pong, a Chinese American entrepreneur trying to develop jamu, a drink with alleged restorative qualities. On either track, the novel is about the perils of consumption. Victor Jr. has an adult-grade gift for cooking, which makes him the pride of the neighborhood but risks exposing Val; one seriocomic set piece features a paranoid evening of gorging on food, alcohol, and pot with some neighbors. More seriously, Tiller's acquaintance with Pong sends him to Shenzhen, where potential business partners have a threatening vibe. Pong's recollection of his parents' persecution during the Cultural Revolution successfully darkens the mood; even Tiller's sexual relationship with the daughter of an acquaintance of Pong's has a cringeworthy note to it. The novel has an ungainly, baggy feel of having taken on too much; the two threads could be two separate novels. Yet Lee is masterful from passage to passage, and Tiller is a winningly self-interrogating narrator; his relationships with both Pong and Val provoke smart riffs on ethnicity (he's one-eighth Asian), accomplishment, love, and family. A sage study in how readily we're undone by our appetites. Copyright (c) Kirkus Reviews, used with permission.
Summary
INSTANT NATIONAL BESTSELLER

A New York Times Notable Book * Named a Best Book of the Year by Vogue , TIME , and Marie Claire

"A manifesto to happiness--the one found when you stop running from who you are." - New York Times Book Review

"An extraordinary book, acrobatic on the level of the sentence, symphonic across its many movements--and this is a book that moves... My Year Abroad is a wild ride--a caper, a romance, a bildungsroman, and something of a satire of how to get filthy rich in rising Asia." - Vogue

From the award-winning author of Native Speaker and On Such a Full Sea , an exuberant, provocative story about a young American life transformed by an unusual Asian adventure - and about the human capacities for pleasure, pain, and connection.

Tiller is an average American college student with a good heart but minimal aspirations. Pong Lou is a larger-than-life, wildly creative Chinese American entrepreneur who sees something intriguing in Tiller beyond his bored exterior and takes him under his wing. When Pong brings him along on a boisterous trip across Asia, Tiller is catapulted from ordinary young man to talented protégé, and pulled into a series of ever more extreme and eye-opening experiences that transform his view of the world, of Pong, and of himself.

In the breathtaking, "precise, elliptical prose" that Chang-rae Lee is known for ( The New York Times ), the narrative alternates between Tiller's outlandish, mind-boggling year with Pong and the strange, riveting, emotionally complex domestic life that follows it, as Tiller processes what happened to him abroad and what it means for his future. Rich with commentary on Western attitudes, Eastern stereotypes, capitalism, global trade, mental health, parenthood, mentorship, and more, My Year Abroad is also an exploration of the surprising effects of cultural immersion--on a young American in Asia, on a Chinese man in America, and on an unlikely couple hiding out in the suburbs. Tinged at once with humor and darkness, electric with its accumulating surprises and suspense, My Year Abroad is a novel that only Chang-rae Lee could have written, and one that will be read and discussed for years to come.
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